13,226 Free Images of Colored Line Vector

yale center for british art etchings in the yale center for british art hand colored etching hand-colored aquatint crystal bridges museum of american art prints by william guy wall william guy wall romanticism thomas rowlandson laid paper

Francis Earl of Bedford, George Vertue, 1737

etchings in the yale center for british art paintings by george vertue

Petrus Snayers, Præliorum Pictor Bruxellis, Andries Jacobsz Stock, circa 1635

etchings in the yale center for british art andries jacobsz. stock

Ralph Cudworth, George Vertue

engravings in the yale center for british art paintings by george vertue

Thomas Wentworth, 1st Earl of Strafford, Robert White

stipple engravings in the yale center for british art robert white (engraver)

William Cavendish, Duke of Newcastle, George Vertue, 1739

etchings in the yale center for british art paintings by george vertue

Expression of the Emotions Figure 9, T. W. Wood, Published in 1872

the expression of the emotions in man and animals cat aggression

D. Fredericus de Marselaer, Eques Auratus, Toparcha de Parck, Elewyt Harseaux, Hoycke, Bornage, Liberique Dominii de Opdorp, Consul Bruxellæ, Adriaen Lommelin, circa 1635

stipple engravings in the yale center for british art 1630s portrait prints of men

R.P. Joannes Baptista de Bisthoven, Adriaen Lommelin, circa 1635

stipple engravings in the yale center for british art 1630s portrait prints of men

Three Children of Henry VII and Elizabeth His Queen, Prince Arthur, Prince Henry and Princess Margaret, George Vertue, 1748

stipple engravings in the yale center for british art 1740s portrait prints

Peterhead (View From The South Showing Lighthouse) by William Henry Bartlett, William Henry Bartlett

prints in the aberdeen archives, gallery and museums collection prints by william henry bartlett

Carolus dei-Gratia Magnæ Brittanniæ, Franciæ et Hiberniæ Rex, Adriaen Lommelin, circa 1635

stipple engravings in the yale center for british art 1630s portrait prints of men

The Distressed Poet, William Hogarth, 1833

etchings in the yale center for british art realism

The Right Honourable John Thurloe Esqr., George Vertue, 1741

stipple engravings in the yale center for british art 1740s portrait prints

Philip of Sweden (1110s) coin design 1716, Elias Brenner, 1710

line art of coins house of stenkil

Scelte a Bolswart, Calcographus Antuerpiæ, Adriaen Lommelin, circa 1635

stipple engravings in the yale center for british art 1630s portrait prints of men

Lady Jane Grey, George Vertue, 1748

stipple engravings in the yale center for british art 1740s portrait prints

Woman Kneeling in Prayer in a Cemetery, Théophile Emmanuel Duverger, between 1821 and 1882

drawings in the walters art museum the essence of line

Mrs. Fitzherbert, John Condé, 1792

stipple engravings in the yale center for british art 1790s portrait prints of women

View near Jessup's Landing from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

Hadley's Falls from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

View from Fishkill Looking to West Point from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

Steamer *Yellow-Stone* (1833) - *Missouri River Expedition*, Karl Bodmer, 1832–1834

prints by karl bodmer barbizon school

View near Hudson from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall

prints by william guy wall hand-colored aquatint

The Junction of the Sacandaga and Hudson Rivers from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

Glenn's Falls from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

Fort Edward from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

Troy From Mount Ida from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

Baker's Falls from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

Little Falls at Luzerne from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

Rapids above Hadley's Falls from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

Newburg from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

View near Fort Miller from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

View near Sandy Hill from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

Hudson from The Hudson River Portfolio (New York, 1821-1825, 1828), William Guy Wall, 1821-1825

prints by william guy wall hand-colored aquatint

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a Bog, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

Racing [set of six]: 4. Between Heats, Thomas Rowlandson, 1799

etchings in the yale center for british art romanticism

Lobster Sauce. The Unexpected Visit., Isaac Robert Cruikshank, 1830

etchings in the yale center for british art isaac robert cruikshank

Portrait of the Celebrated Short Horned Cow Bracelet / The Property of John Booth, Esquire, Killerby, Yorkshire, Thomas Landseer, circa 1850

mezzotint prints in the yale center for british art thomas landseer

A View of The New County Infirmary and part of the Town of Northampton, William Frederick Wells, circa 1770

etchings in the yale center for british art william frederick wells

Exhibition Somerset House Tom and Bob, Henry Thomas Alken, 1821

engravings in the yale center for british art henry thomas alken

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a fall, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

Sheet 9: Julius Ceasar in his horse-drawn chariot, from The Triumph of Julius Caesar, Bernardo Malpizzi, 1599

prints in the metropolitan museum of art andreani's triumphus caesaris

The Mid-Day Meal, George Morland, 1790s

drawings in the national gallery of art (washington, d.c.)george morland

The Poet. The Sailor's Ballast, Isaac Robert Cruikshank, 1830

etchings in the yale center for british art isaac robert cruikshank

London Bridge from above Bridge, William Simpson, 1852

lithograph prints in the yale center for british art william simpson

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting a Dive, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

Hunting [set of four]: 3. Making a Cast at a Fault (titles are also inscribed in French)., Thomas Burford, 1766

mezzotint prints in the yale center for british art thomas burford

Set of ten, one leaf of text, and printed wrapper: Count Sandor's Exploits in Leicestershire, Edward Duncan, 1833

aquatint prints in the yale center for british art edward duncan

2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing], Charles Loraine Smith, 1792

engravings in the yale center for british art charles loraine smith

3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball, Charles Loraine Smith, 1792

engravings in the yale center for british art charles loraine smith

Racing [set of six]: 3.Mounting, Thomas Rowlandson, 1799

etchings in the yale center for british art romanticism

The Pauper Family and Footman. A Steam Packet Cabin., Isaac Robert Cruikshank, 1830

etchings in the yale center for british art isaac robert cruikshank

Hunting [set of four]: 4. The Death of the Fox (titles are also inscribed in French), Thomas Burford, 1766

mezzotint prints in the yale center for british art thomas burford

Hunting [two of a set of twelve]: 7. [A rider putting horse to a gate], Thomas Burford, 1752

mezzotint prints in the yale center for british art thomas burford

This View of the Remains of St. Stephen's Chapel on the Morning after the Fire of 16th October 1834, Andrew Picken

lithograph prints in the yale center for british art andrew picken

Royal Military College, William James Bennett, circa 1813

aquatint prints in the yale center for british art william james bennett

Spring, probably 1909

drawings in the national gallery of art (washington, d.c.)auguste lepère

Set of eight with title-page. 'Foreign and Domestick Animals.' 7. The Persian Lynx, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting into a difficulty, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

Set of eight with title-page. 'Foreign and Domestick Animals.' 6. The Hyena, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Racing [set of six]: 2. Weighing, Thomas Rowlandson, 1799

etchings in the yale center for british art romanticism

Hunting [set of four]: 1.Going to Cover (titles are also inscribed in French), Thomas Burford, 1766

mezzotint prints in the yale center for british art thomas burford

Short Horned White Ox, Thomas Fairland, 1843

lithograph prints in the yale center for british art thomas fairland

Set of eight with title-page. 'Foreign and Domestick Animals.' 1. The Baboon, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Hunting [set of four]: 2. The Chace (titles are also inscribed in French), Thomas Burford, 1766

mezzotint prints in the yale center for british art thomas burford

View of Millbank on the River Thames near London, Francis Jukes

lithograph prints in the yale center for british art francis jukes

Veue de St. James's Park pris de Rosamond's Pond, William Henry Toms, 1745

engravings in the yale center for british art william henry toms

Iphigenia's Late Procession from Kingston to Bristol - By Chudleigh Meadows, - Then the Dutchess was Brought into Court Attended by her Chaplain, Physician, Apothecary and Three Maids of Honor, John Hamilton Mortimer, 1776

etchings in the yale center for british art john hamilton mortimer

'Cries of London' Plate 3: "Sweet China Oranges, Sweet China", Luigi Schiavonetti, 1794

engravings in the yale center for british art luigi schiavonetti

June / Juin, Robert Dighton, 24 June 1784

carington bowles i robert dighton

Coopers Hall, Basinghall Street, John James Hinchliff

engravings in the yale center for british art john james hinchliff

The Needless Alarm. A Smoking Party, Isaac Robert Cruikshank, 1830

etchings in the yale center for british art isaac robert cruikshank

The Englishman in France. A Cold Duck., Isaac Robert Cruikshank, 1830

etchings in the yale center for british art isaac robert cruikshank

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting over a difficulty, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

'Cries of London' Plate 2: "Milk below Maids", Luigi Schiavonetti, 1793

engravings in the yale center for british art luigi schiavonetti

A View of the West Front of Clare Hall, King's College Chapel.in the University of Cambridge, Peter Spendelowe Lamborn

etchings in the yale center for british art peter spendelowe lamborn

Racing [set of six]: 5. Running out of the Course, Thomas Rowlandson, 1799

etchings in the yale center for british art romanticism

Racing [set of six]: 1. Racing, Thomas Rowlandson, 1799

etchings in the yale center for british art romanticism

1.... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General..., Charles Loraine Smith, 1792

engravings in the yale center for british art charles loraine smith

£/Pounds. s/Shillings. p/Pence. Dancing Bears., Isaac Robert Cruikshank, 1830

etchings in the yale center for british art isaac robert cruikshank

Hunting [two of a set of twelve]: 9. [A rider clearing a gate], Thomas Burford, 1752

mezzotint prints in the yale center for british art thomas burford

4. Lecture / Philosophical remarks upon the Nature & effects of Amputation, Charles Loraine Smith, 1792

engravings in the yale center for british art charles loraine smith

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Dead Beat, Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

Racing [set of six]: 6. Betting, Thomas Rowlandson, 1799

etchings in the yale center for british art romanticism

Set of eight with title-page. 'Foreign and Domestick Animals.' 4. The Tiger, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Set of eight with title-page. 'Foreign and Domestick Animals.' 3. The Lioness, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

Admiral Van Tromp's Duel. Comforts of a Wife., Isaac Robert Cruikshank, 1830

etchings in the yale center for british art isaac robert cruikshank

London Docks: 6 Views: New Dock, Wapping, 1803, William Daniell, 1808

aquatint prints in the yale center for british art william daniell

Het-Hoog-en Hager-Huys van Engelandt. Coronation of the Prince of Orange, Romeyn de Hooghe

etchings in the yale center for british art romeyn de hooghe

The Farriers Shop, William Say, 1806

mezzotint prints in the yale center for british art william say

The Gouty Merchant and Stranger. A Card Party., Isaac Robert Cruikshank, 1830

etchings in the yale center for british art isaac robert cruikshank

[Fox-hunting] Some Do and Some Don't: It is All a Notion. Getting Home., Henry Thomas Alken, 1820

etchings in the yale center for british art henry thomas alken

Being well lather'd from a dish or tub./Hodge new began with grinning pain to grub. Sirrah! I tell you you're a knave. To cry up razors that can't shave., Isaac Robert Cruikshank, 1830

etchings in the yale center for british art isaac robert cruikshank

Set of eight with title-page. 'Foreign and Domestick Animals.' 2. The Lion, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

'Cries of London' Plate 1: "Two bunches a penny primroses, two bunches a penny", Luigi Schiavonetti, 1793

engravings in the yale center for british art luigi schiavonetti

Hare Hunting, Thomas Rowlandson, 1789

etchings in the yale center for british art romanticism

Veue de Mall dans St. James's Park, William Henry Toms, 1752

engravings in the yale center for british art william henry toms

Pontysyllte Aqueduct, North Wales, Francis Jukes, 1806

aquatint prints in the yale center for british art francis jukes

Set of eight with title-page. 'Foreign and Domestick Animals.' 8. The Antelope, Thomas Rowlandson, 1787

etchings in the yale center for british art romanticism

None but the Brave deserve the Fair. Honour., Isaac Robert Cruikshank, 1830

etchings in the yale center for british art isaac robert cruikshank

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